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You may want to try and place multiple images into multiple texts and then try to move them around to let them fit. However, that is a lot of work, and getting it uniform and looking seamless may be impossible. The method used in this article to place one image into multiple texts will use one image and place it seamlessly into the texts. This allows for the image and text to be uniform and when other effects are added, everything will blend perfectly. Open Photoshop and prepare your image and let us make this project together.

How to place Image in multiple Texts in Photoshop

Open and prepare Photoshop

Add image in Photoshop

Duplicate image (optional)

Add text in Photoshop

Convert images and texts to smart objects (optional)

Group text

Place the image into the text

Add additional effects (color fill background, transparent fill layer)

Edit images and texts

1] Open and prepare Photoshop 2] Add image in Photoshop 3] Duplicate image (optional)

You will duplicate the image once, this will give you two images in Photoshop. This step to duplicate the image serves two purposes but the step is completely optional. The first purpose is to protect the original image from accidental editing. This will ensure that if mistakes are made, the original image will be safe and can be used to redo the project. The other purpose for duplicating the image is that the duplicate will be used to create an effect in step six. Keep reading to find out just what else you can do with this skill that you are learning. Step six may be something that you never thought to do but learning it now will add another dimension to your designs. For now, turn off the visibility for the image that is at the bottom of the layer panel (background image).

Read: How to fill Text with Image in Photoshop

4] Add text in Photoshop

Now that the canvas is prepared and the image is in, it is time for the text to be added. Depending on how the image was added, it may be in front of the text and hide it, or it may become the background. If the image is causing problems, you can turn off its visibility until you are ready to use it.

The text will be on one of the images as one of the images will be the background and will be important to one of the ending steps. You can choose to turn off the visibility of the background until you are ready for it.

5] Convert the images and texts to  smart objects (optional)

This step to convert the images and texts to Smart objects is optional, however, it allows you to edit the images and texts quickly without having to do the whole thing over. You may want to do the same effect with the same or different text, but you do not want to do the whole thing over.

6] Group texts

With the texts created, you will want to make changes to them. In this article, three lines of single texts will be used. Each line of text will be on a separate layer, this will give you more work when you need to edit. You may need to do the same edits to each of the texts. Grouping the text will allow you to make one edit that will affect all the texts. You will see how this works when applying the image to the texts.

7] Place the image into the text

For this step, you will see the importance of grouping the text. This step is where the image will be placed into multiple texts. Without the grouping of the text, when you go to place the image in the text, it would only work on the first text that falls under the image.

Layer order

To get the image into the text, you will have to make sure that the image is above the text in the layers panel. Depending on the size of your image and the text, the image may cover the text or even the entire canvas. Since you have grouped the texts, you will see the image above the group folder. The order in the layers panel would be: one of the images at the top, the group with the text below it,  then the remaining images at the bottom. This last image will be the background image, it will also help with the final effect.  Remember that having two images is optional and is used in this article for an effect that you will see close to the end. If the image to be placed in the text is not above the text then the procedure will not be successful.

On the canvas, you will see the image outlined in the text. This one image will show in all three texts, and it is not duplicated but one continued image. this is possible because the texts are grouped so the effect works on all of them. If you write another text or place any shape inside that group folder, the image will also show in it.

This is what the clipping mask would look like if the background image visibility was kept on. It is ok, but it creates distractions.

8] Add additional effects

Now that it has gotten this far, this could be the end of the project. However, there is more that can be done. Turn on the visibility for the background image as it will be used now.

Add color fill layer

A color background will appear behind the words.

Lower opacity of color fill layer (optional)

This part is optional, you can keep the Color fill layer as it is. But to make things even more interesting, you can turn down the Opacity or the Fill of the color fill layer.

Add drop shadow

You may add additional layer styles to the image, however, overdoing it will take away from the beauty.

This is the image with a drop shadow effect added.

9] Edit images and texts

There may be a time when you want to change things in the artwork. This is now easy, you can edit the text and change the images quite easily. Since the images and texts were converted to smart objects, they can be changed (updated).

Read: How to create a Watercolor Splash in Photoshop

Why is placing Layers into Groups important in Photoshop?

Placing layers into groups is important because it can help with organization. Layers can be organized based on what part of the project it fits, groups are also important because it helps with applying styles and effects to a large number of layers. When you want to apply the same style to a large number of layers, you can place them in a group and then apply the style to the group.

How do I change the size of multiple layers in a group in Photoshop?

You're reading How To Place Image In Multiple Texts In Photoshop

Improving Image Tone With Levels In Photoshop

Improving Image Tone With Levels In Photoshop

Written by Steve Patterson.

In this photo editing tutorial, we’ll learn how to quickly correct overall tonal problems in an image using the Levels adjustment in Photoshop. In a previous tutorial, we looked at how to fix both tone and color cast problems at once using the Levels command, but a more common first step in a good photo editing workflow is to simply correct any tonal problems, brightening highlights, darkening shadows and adjusting the midtones, leaving any needed color corrections for later steps.

As we’ll see, the Levels adjustment makes tonal correction so fast and easy, you’ll be turning dull, lifeless images into ones that seem to pop right off the screen in a matter of seconds. And unlike the Brightness/Contrast adjustment in Photoshop CS3 and higher which doesn’t give you a great deal of control and relies mainly on your own personal opinion of what looks good, the Levels adjustment is what the pros use for accurate, professional quality results.

Here’s an image I have open on my screen:

The original photo.

The histogram shows why the image is looking rather dull. Notice how the edges of the histogram do not extend all the way to the far left or right. This tells us that there is currently nothing in our image that’s pure black or pure white, which means our shadow areas are not as dark as they could be and our highlights are not as bright as they could be, resulting in the image’s flat appearance (be sure to check out our How To Read A Histogram tutorial for a more detailed explanation of how histograms work):

The Histogram palette showing that the shadows and highlights could both use a boost.

This brings up the Levels dialog box, with its most noticeable feature being the histogram in the center. The histogram found in the Levels command is the exact same histogram we saw a moment ago in the Histogram palette. The difference is that with the Histogram palette, all we can do is look at the histogram to see where the problems are. With Levels, not only can we see the problems, we can do something about them!

First, let’s take a closer look at the problems, since they’re easier to understand in the Levels dialog box. Below the histogram in Levels is a horizontal gradient going from pure black on the left to pure white on the right. The brightness levels in the histogram match up perfectly with the brightness levels in the gradient below it. If we draw lines from the left and right edges of the histogram straight down to where the edges line up with the gradient, we can see more clearly where the current tonal range of our image falls. Notice that there’s still quite a bit of room between the left edge of the histogram and pure black on the far left of the gradient, and between the right edge of the histogram and pure white on the far right of the gradient. This means that our blacks in the image are currently not pure black. They’re a dark shade of gray, and our whites are not pure white but a light shade of gray:

The arrows show where the left and right edges of the histogram line up with the gradient.

If you look directly below the histogram, you’ll see three small sliders, one on each end and one in the middle. The slider on the far left is the black point slider. It’s easy to remember because the slider itself is black. The black point slider allows us to darken the shadow areas in the image by setting a new black point. The slider on the right is the white point slider. Again, it’s easy to remember because the slider itself is white. With it, we can brighten the highlights by setting a new white point (this will all make sense in a moment). The slider in the middle is the midtone slider. It appears gray because it allows us to brighten or darken the brightness levels in between black and white:

The three sliders below the histogram allow us to adjust the black point (left slider), white point (right slider) and midtones (middle slider) in the image.

Drag the black point slider to the left edge of the histogram to set a new black point.

As you drag the slider towards the right, you’ll see the dark areas of your image becoming progressively darker. By dragging the slider to the left edge of the histogram, those pixels in the image that were just a dark shade of gray a moment ago are forced to pure black, which causes all of the shadow areas in the image to become darker as well. Here’s my photo after adjusting the black point. We can already see an improvement in image contrast:

The shadow areas in the image now appear darker, improving image contrast.

The Histogram palette updates to show the changes we made in the Levels dialog box.

The left edge of the histogram now extends all the way to the left, letting us know that we now have deep, dark shadows in our image thanks to our new black point. But notice also that the histogram suddenly seems to be missing sections, creating a comb-like effect. That’s because we only have a set amount of image information in the photo to work with and by darkening the shadows, we’ve essentially spread out and stretched the image information like an accordion or a slinky. Those missing sections mean we no longer have any image detail at those brightness levels, but there’s no need to worry because we haven’t lost enough detail yet to make it noticeable. The unfortunate reality with photo editing is that with every edit we make to an image, we damage it in some way. All we can do is hope that the “damaged” version we end up with looks better to us than the original “undamaged” version did.

We still have a problem with the highlights, so we’ll fix that next.

Drag the white point slider to the right edge of the histogram to set a new white point.

As you drag the slider, you’ll see the bright areas in the image becoming gradually brighter. With the white point slider moved to the right edge of the histogram, the pixels that were a light shade of gray a moment ago are forced to pure white, causing all of the light areas in the image to become lighter in the process. Here’s my image after setting the new white point. The highlights are now nice and bright, and the overall image contrast has been greatly improved from how it looked originally:

Both the shadows and highlights in the image have now been corrected.

Once again, if we look to the Histogram palette, we can see the effects of the changes we’ve made. The right side of the histogram now extends all the way to the right edge, telling us that our highlights are now nice and bright. And by forcing the highlights to white, we’ve stretched out our image information even further, losing more detail at various brightness levels and creating even more of a comb-like effect in the histogram:

The histogram now stretches from left to right, although some brightness levels have been lost.

As a side note, if you’ve been wondering why my histogram is showing a tall spike near the right edge, it’s because this particular photo that I’m working with consists mainly of a light blue lake and a light blue sky. In other words, it’s made up mostly of light blue, which means the majority of the pixels in the image have a similar brightness value. Since the histogram shows us a comparison of the various brightness levels in the image, having so many pixels sharing a similar brightness value is causing that level to tower over the others. All photos are different, and if you’re following along with your own image, your histogram will undoubtedly look different from mine.

At this point, we’ve successfully lightened our shadows and brightened our highlights and the image is looking much better. However, one problem you may run into after adjusting the black and white levels is that the overall image can still appear either too bright or too dark. To fix that, we simply need to adjust the midtone slider. Dragging the midtone slider towards the left will brighten the image in the midtones, while dragging it towards the right will darken the midtones. It’s important to note that the midtone slider does not affect the black or white points. Only the brightness levels between black and white are affected.

Drag the midtone slider towards the left to lighten the midtones or the right to darken them.

Let’s check out the Histogram palette one last time. If you look closely, you’ll notice that the left side of the histogram now seems to be missing fewer brightness levels than the right side does. That’s because by darkening the midtones, we’ve taken image information from the lighter tonal values and pushed it into the darker values. This filled up some of the missing shadow areas but stretched out the lighter areas even further:

The histogram now shows less information remaining in the highlights than in the shadows after darkening the midtones.

The final tone-corrected result.

And there we have it! That’s how easy it is to correct overall tonal problems in an image with Levels in Photoshop! Check out our Photo Retouching section for more Photoshop image editing tutorials!

How To Manage Multiple Gmail Accounts And Check Email In One Place

For many of us, Gmail is the fulcrum point connecting our entire online experience. The universal email provider manages our single sign-on (SSO) access, notifies us of important alerts, syncs with team meeting apps, and can easily connect with work domains. Given such versatility, it’s quite common to have multiple Gmail accounts to manage our daily activities.

It’s important to know that you don’t have to remember the separate passwords for each Gmail account. There are several ways to access multiple Gmail accounts from one place and check all your email simultaneously.

1. Using Gmail Sign-in Add Account

Gmail has a sign-in “add account” feature which lets you add secondary Gmail accounts to your primary Gmail address. This is undoubtedly the fastest, easiest, and most widely used method to keep all your Gmail addresses in one place.

On PC/Laptop

Add Another Gmail Account from Gmail Profile

A Google sign-in page will appear next. Log in with your secondary Gmail accounts and password to proceed.

Accessing Newly Added Secondary Gmail from Primary Email

On Mobile/Tablet

For Android and iOS smartphone and tablet users, the option to add new email addresses in the Gmail app is the same as the desktop. You may also open Gmail in any mobile browser for more private browsing.

Adding New Gmail Account on Android

2. Through Private Browsing/Incognito Mode

Another easy, intuitive method to access multiple Gmail accounts is to go for private or incognito mode browsing. This method is browser-specific, but the core idea is that you can access as many Gmail accounts as you want depending on the number of incognito browser windows open. It’s great for multitaskers!

On Google Chrome

To manage multiple Gmail accounts, Google Chrome users can access the incognito mode from the three-dot menu on the top-right corner.

Multiple Gmails Using Incognito Mode in Google Chrome

On Mozilla Firefox

Mozilla Firefox has a similar placement for private browsing. Go to the hamburger menu on the top-right corner and open “new private window” to proceed.

Gmail Private Window in Firefox

3. Using Multiple Browser Profiles

One can create multiple browser profiles to access different Gmail accounts. Again, this method is browser-specific as shown below.

On Microsoft Edge

Adding New Browser Profile in Edge

You can create as many browser profiles as you need in Edge to access multiple Gmail email accounts in one place.

Accessing Gmail from a Different Profile in Edge

On Google Chrome

Adding New Browser Profile in Chrome

You can do a lot of customization of your secondary Google Chrome profile, including theme colors, which will mark different Gmail windows separately.

Customize Chrome Profile

The following screen shows access to multiple Gmail accounts based on different browser profiles.

Accessing Gmail on Separate Chrome Profile

You can also create new email profiles in the Firefox browser, which has far more steps.

4. In Thunderbird Gmail Settings

If you are using Thunderbird as your primary email account, it’s very easy to add multiple Gmail accounts from the Thunderbird Gmail settings. There is an option to set up an account from “Email” as shown here.

Setting Up New Email Account in Thunderbird

After a few steps, you will be greeted by a sign-in page where Gmail account credentials have to be entered. For detailed steps on how to add Gmail to the Thunderbird client, we have an extensive tutorial.

Gmail Credentials Added in Thunderbird

5. With Gmail Outlook Settings

Many Windows users have Outlook as a default email client. It, too, supports adding multiple email accounts including Gmail addresses.

Outlook Account Settings

Go to “Account Settings” from the homepage of the Outlook client. Here you can add a new email address from the prominently visible “New” email category. This will open a new pop-up window where you can enter your Gmail account address.

Adding Gmail in Outlook

Once you enter the Gmail password, you will notice another pop-up window of Gmail sign-in credentials.

Microsoft Apps Permission for Gmail

The Gmail account has been added to Outlook. You can access multiple Gmail accounts in one place right here.

Gmail Added in Outlook

6. On Different Web Browsers

Of course, the last and easiest way to access multiple Gmail accounts is to open it separately on different web browsers. The following screen shows Gmail opened across Edge, Chrome, and Firefox.

Gmail Open in Multiple Browsers: Edge, Chrome, and Firefox

Having multiple Gmail accounts is a professional necessity today. Here we have covered a number of tested methods which allow you to check multiple Gmail accounts in one place. You can also learn to create your own Gmail desktop app for higher productivity and improve your search tips for faster results.

Sayak Boral

Sayak Boral is a technology writer with over eleven years of experience working in different industries including semiconductors, IoT, enterprise IT, telecommunications OSS/BSS, and network security. He has been writing for MakeTechEasier on a wide range of technical topics including Windows, Android, Internet, Hardware Guides, Browsers, Software Tools, and Product Reviews.

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Clipping Masks And Type – Placing An Image In Text With Photoshop

As with the previous tutorial, I’ll be using Photoshop CS6 here but everything we’ll cover applies to any recent version of Photoshop.

As we’ll see in this tutorial, Type layers in Photoshop are different from pixel-based layers in that there are no actual “transparent” areas on a Type layer. The type itself simply becomes the layer’s contents. When we use a clipping mask with a Type layer, any part of the image on the layer above that sits directly over top of the text remains visible in the document, while areas of the image that fall outside the text are hidden. This creates the illusion that the image is actually inside the text! Let’s see how it works.

In that tutorial, we focused mainly on using clipping masks with pixel-based layers , but another common use for them is with type . Specifically, they can be used to easily place a photo inside of text !

We learned that clipping masks use the content and transparent areas of the bottom layer to determine which parts of the layer above it remain visible, and as a real world example, we used a clipping mask to place one image into a photo frame that was inside a second image.

In a previous tutorial, we learned the basics and essentials of using clipping masks in Photoshop to hide unwanted parts of a layer from view in our designs and documents.

Using Clipping Masks With Type

Here’s a document I have open containing two images. The first photo on the bottom Background layer will be used as the main image for the project (friends enjoying snowfall photo from Shutterstock):

The main image that will be used as the background.

We see the image I’m going to be placing inside of some text (abstract winter background from Shutterstock):

The image that will be going inside the text.

Step 1: Add Your Text

Selecting the top layer.

With the top layer selected, I’ll add my text. If you’re looking for more information on working with type in Photoshop, be sure to check out our full Photoshop Type Essentials tutorial, the first of several tutorials covering everything you need to know. Here, I’ll start by grabbing the Type Tool from the Tools panel:

Selecting the Type Tool.

With the Type Tool selected, I’ll choose my font up in the Options Bar along the top of the screen. When you know you’re going to be placing an image inside your text, you’ll usually want to choose a font with thick letters so you’ll be able to see more of the image. I’ll choose Impact since it’s a nice thick font, and I’ll set the initial size of my font to 24pt. Don’t worry about choosing a color for the text because the color won’t be visible once we’ve added the image:

Selecting the font options in the Options Bar.

Adding the type to the document.

The Layers panel showing the new Type layer.

Step 2: Resize The Text With Free Transform

Unfortunately, the font size I chose in the Options Bar was too small for my design, but that’s okay because there’s an easy way to resize the text. We’ll just use Photoshop’s Free Transform command. I’ll select it by going up to the Edit menu in the Menu Bar along the top of the screen and choosing Free Transform. Or, I could press Ctrl+T (Win) / Command+T (Mac) on my keyboard to select Free Transform with the shortcut. Either way is fine:

Holding Shift and dragging the corner handles to resize the text.

Step 3: Create A Clipping Mask

Now that the type is the size we need, let’s go ahead and add our clipping mask to place the image inside the text. The image I want to place inside my text is on Layer 1, but Layer 1 is currently sitting below my Type layer and as we learned in the Clipping Masks Essentials tutorial, we need the layer that’s going to serve as the clipping mask (in this case, the Type layer) to be below the layer that’s going to be “clipped” (Layer 1). This means I’ll first need to move my Type layer below Layer 1.

Dragging the Type layer below Layer 1.

When the highlight bar appears, I’ll release my mouse button and the Type layer is moved right where I need it directly below Layer 1:

Layer 1 now sits above the Type layer.

Next, we need to make sure we have the layer that’s going to be “clipped” by the clipping mask selected, so I’ll select Layer 1:

Selecting the image layer above the Type layer.

With the Type layer now directly below the image and the image layer selected, I’ll add the clipping mask by going up to the Layer menu at the top of the screen and choosing Create Clipping Mask:

If we look again in the Layers panel, we see that Layer 1 is now indented to the right, with a small arrow to the left of its preview thumbnail pointing down at the Type layer below it. This tells us that Layer 1 is now being clipped by the Type layer:

The Layers panel showing the clipping mask.

And if we look in the document window, we see that the image on Layer 1 now appears to be inside the text! It’s not really inside the text. It only looks that way because any part of the image that is not sitting directly above the type is being hidden from view thanks to the clipping mask:

Photoshop is now hiding any part of the image that is not sitting directly above the type.

Step 4: Reposition The Text

Of course, I picked a pretty bad spot to place my text. It’s blocking the faces of the two people in the photo so I’ll need to move the text into position. First, I’ll select the Type layer in the Layers panel:

Then I’ll grab Photoshop’s Move Tool from the top of the Tools panel:

Selecting the Move Tool.

Use the Move Tool to move the text, or the image inside the text (depending on which layer is selected in the Layers panel).

Warping And Reshaping The Type

Also since the type is still type, that means you can even warp it into different shapes! First make sure you have the Type layer selected in the Layers panel, then go up to the Edit menu at the top of the screen, choose Transform, and then choose Warp:

With the Warp command selected, look up near the far left of the Options Bar at the top of the screen and you’ll see a Warp option that by default is set to None:

The Warp option in the Options Bar.

Choosing Wave from the list of preset warp styles.

This instantly warps the text into a fun “wave” shape, yet the clipping mask remains active with the image still appearing inside the text. Anything you can normally do with type in Photoshop, you can do with it even when it’s being used as a clipping mask:

The text after applying the Warp command.

Adding Layer Styles

We also learned in the Clipping Masks Essentials tutorial that we can add layer styles to clipping masks, and that’s true even when using type. To quickly finish things off, I’ll add a layer style to the text to help it blend in better with the main photo behind it. First, I’ll select the Type layer in the Layers panel:

Selecting the Type layer.

I’ll choose Outer Glow from the list of layer styles that appears:

Choosing an Outer Glow style.

The Outer Glow options.

The Outer Glow style appears below the Type layer.

And with that, we’re done! Here’s my final result with the Outer Glow added to the text (I also used to Move Tool to move the type down just a bit so it appears more centered between the two girls and the top of the image):

The final “image in text” result.

How To Insert Multiple Rows In Excel

Inserting rows in Excel is one of the most basic stuff that we do almost everyday. And there are many ways to do this.

Now there could be various situations where you need to insert rows in Excel. For example, you may want to insert a single row, or multiple rows that are all together, or multiple rows that are not together.

How to Insert Multiple Rows in Excel

In this tutorial, you’ll learn four different ways to do insert multiple rows in Excel.

Using Keyboard Shortcuts.

Using Insert Options.

Using Mouse + Keyboard (super trick).

Using Insert Copied Cells Option.

You can insert multiple rows in Excel using more than one keyboard shortcut.

Here is the first one:

Select the cell above which you want to insert multiple rows in Excel.

Press Shift + Space-bar to select the entire row.

Once the entire row is selected, press Control and hit the plus key (+) from the numeric keypad.

If you don’t have the numeric keypad, press Control and Shift and plus key (+) on the regular keyboard.

This will insert a single row right above the row that you selected.

Once you have inserted a row, you can repeat the same action by using the F4 key.

To do this, just select the row above which you want to insert a row and press F4. Hitting the F4 just repeats the last action.

What if you want to insert multiple rows in Excel at one go?

In the above example, we saw how to insert one row using the keyboard shortcut. If you want to insert multiple rows at one go, you can easily do it with a slight twist.

Here is how to do it:

It does not matter if the rows have data or are empty. This technique works in all cases.

Use the keyboard shortcut Control and Plus key (or Control and Shift and Plus key if you have a regular keyboard).

This will automatically enter the same number of rows as you selected to begin with. So if you selected four rows, it will insert four rows above it (as shown below):

Here is another keyboard shortcut that you can use:

Hold the ALT key and Press I followed by R.

You can also use the Insert functionality in Excel to insert multiple rows in Excel.

Here are the steps to use this:

Select the rows above which you want to insert the rows. For example, if you want to insert 4 rows between Row #3 and #4, select four rows staring from Row #4.

This will enter four rows above between Row #3 and #4 (as shown below):

You can also use the Insert Option available in the Home chúng tôi use it:

Select the rows above which you want to insert the rows.

#3 Using Mouse + Keyboard Shortcut

This one is a super trick.

If you want to insert multiple rows above or below a row, here are the steps:

Select a row above or below which you want to insert rows.

You will notice a small green square at the end bottom right of the row number.

Hover your mouse on that green square and press Control + Shift on your keyboard. You will notice that the mouse icon changes from a plus to a double line icon with arrow on both sides.

This is one of the best ways to quickly insert any number of rows.

Another quick way to insert multiple rows in Excel is to copy a blank row and paste in where you want. Since you are copying a blank row, it would be the same as inserting a new row.

Here is how to do this:

Select a blank row and copy it.

Select the rows above which you want to insert the new rows. Select as many rows as you want to insert.

This will insert rows above the rows that you selected (as shown below):

These are four ways you can use to quickly insert multiple rows in Excel.

How To Make Paragraph Text In Photoshop

How To Make Paragraph Text In Photoshop

Last Updated on October 23, 2023

While this is a quick and easy way to work with a small amount of text, it’s not great if you want to make longer paragraphs and have full control over their design.

In this short tutorial, I’ll show you how to make paragraphs or blocks of text using the Type tool in Photoshop.

If you don’t already have a copy of Photoshop, you can get a free Photoshop trial here.

How To Add A Paragraph Of Text In Photoshop

1. Open or create an image that you want to add a paragraph of text to.

I’m using this picture of three pears. You can download this photo by Clem Onojeghuo on Unsplash.

2. Select the Type tool in the toolbar or press T. 

I’m using Century as the typeface, I’ve set the Size to 12 points, Leading to Auto, Tracking to 0, and Colour to white.

This creates a text box into which your text will flow.

Photoshop will automatically add some Lorem Ipsum dummy text to the text box.

You can either start typing on top of that text or if you have copied some text from another document or web page, press Ctrl+V (Windows) or Cmd + V (Mac) to paste the text that you copied into the text box.

Your text will now flow neatly from one side of the text box to the other because you selected Justified from the paragraph palette.

How To Edit Paragraphs Of Text In Photoshop

Once your text is in the text box, you can use the Move tool to drag the text to wherever you want on the image.  How do you edit and change the text inside the box?

1. To change text inside the text box, you must first select it. You can select text in a few ways. Firstly select the Type tool in the toolbar (T)

Once the text is selected, use the Character panel, or the Options bar at the top of the interface to change the formatting.

I changed my text typeface to Roboto, size to 16, Leading to 18 (amount of space between lines), and changed the colour to cream.

How to change the size of the text box

Notice that the text wraps automatically when we change the size of the box.

In this case, we’re getting a justified alignment on all of the text with the only the last line aligned to the left.

How To Change The Alignment Of Text In Photoshop

You can change the alignment of paragraph text in the Paragraph panel.

Other options in the Photoshop panel include indenting the paragraph on the left or right side.

Indenting the first line of the paragraph or adding space before or after the paragraph. 

Remember you must have your cursor flashing inside a paragraph or have a paragraph highlighted before any of these options will take effect.

That’s how we can create paragraph text and take control of how it appears in Photoshop.

Please share this tutorial. Thanks a million!

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