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If while opening an Excel file, you receive the “Sorry, Excel can’t open two workbooks with the same name at the same time” error message, the solutions provided in this article will help you. According to the users who experienced this problem, this error message occurs while opening new as well as existing Excel files. Whereas, some users encountered this issue while opening only the existing Excel files.
Sorry, Excel can’t open two workbooks with the same name at the same timeUse the following solutions to get rid of the “Sorry, Excel can’t open two workbooks with the same name at the same time” error message in Excel.
Check for any hidden workbooks
Rename the file
Start a new instance of Microsoft Excel
Open Excel in Safe Mode
Check for duplicate Add-ins
Move files from the XLSTART folder to another location
Repair or reinstall Office
Let’s see all these fixes in detail.
1] Check for any hidden workbooksIn Excel, you can hide the opened workbooks. This can be done as follows:
Open Microsoft Excel.
Create a new file or open the existing one.
Go to the View tab.
2] Rename the fileThe meaning of the error message is self-explanatory. Excel is considering that a file is already opened and it has the same name as the file you are trying to open. Therefore, change the name of the file you are opening. This should help.
3] Start a new instance of Microsoft ExcelRun a new instance of Microsoft Excel and see if the error message appears this time or not. Follow the steps provided below:
Press and hold the left Alt key.
Release the Alt key when the Excel opens up.
Now, create a new blank workbook and see what happens.
4] Open Excel in Safe ModeIn Microsoft Office, sometimes, problems occur due to conflicting add-ins. This might be the case with you, as the same thing has been reported by a lot of users who encountered this error. Open Excel in Safe Mode and see what happens.
If the issue does not appear in the Safe Mode, you need to find out the problematic add-in. To do so, disable add-ins one by one and see if the problem appears or not. You have to disable both Excel and COM add-ins.
Select Add-ins from the left side.
See if the problem persists.
Follow the same steps to find out the problematic COM Add-in. This time you have to disable COM Add-ins. Hence, select the COM Add-ins in the drop-down.
5] Check for duplicate Add-ins 6] Move files from the XLSTART folder to another locationIn Excel, you can create add-ins by using Visual Basic Editor. After that, you can save it at any location on your system but you have to select the file type as Excel Add-in. The saved Excel Add-in file has the .xlam extension.
To make an Excel file open automatically when you open Excel, you can place it in the XLSTART folder. This folder is usually used to store Excel templates. But you can also use it to store your Excel files. If you want your created Excel add-ins to run automatically when you launch Excel, you can place them here.
If you have created an Excel Add-in file and it has the default name, say Book 1; and you have placed it in the XLSTART folder, it will start running automatically when you launch Excel. This is the reason why you are getting this error message every time you create a new workbook in Excel. Move that file to another location or change its name.
The default location of the XLSTART folder is:
%appdata%MicrosoftExcelXLSTART 7] Repair or reinstall OfficeIf none of the above solutions fixed your issue, repair Microsoft Office. Running an online repair will help. If this does not help, uninstall and reinstall Office. But before you do this, make sure that you have your Office activation key.
I hope this helps.
Why can’t I open two Excel workbooks at the same time?If the two Excel workbooks have the same name, you cannot open them at the same time. For this, either close one of them and then open the other or change the name of one of them.
How do I open two Excel workbooks at the same time?Read next: Excel found a problem with one or more formula references in this worksheet.
You're reading Sorry, Excel Cannot Open Two Workbooks With The Same Name At The Same Time
Can Shiba Inu Ever Take The Same Road As Terra! A Big No
Many people fear that soon everyone’s favorite memecoin “Shiba Inu” will take the same road as Terra (LUNA).
The cryptocurrency market is still bearish, although many coins are making a slow recovery from the drastic crash. Among the coins that have been posting some good recovery this time is Shiba Inu, which had been one of the most hit coins by the bear market. Though looking at the other cryptocurrencies, SHIB is still not there, not even close to its ATH. That is why many people fear that soon everyone’s favorite memecoin will take the same road as Terra (LUNA). Well, the fear is legit because according to crypto experts, SHIB is almost in the same category as terra LUNA. These are projects that have not been built on a solid product. They have no real use-cases. The biggest challenge for the Shiba Inu project is the lack of utility. This is because Shiba Inu started as a meme coin and built its huge marketcap on hype and not in a real product. But is it really going to fall like LUNA? Let’s find out.
The Terra ecosystem has two cryptocurrencies — Terra (Luna) and TerraUSD. The latter is a stablecoin pegged to the U.S. dollar. Some stablecoins, such as USD Coin, are backed by cash reserves or cash equivalents. TerraUSD, though, uses an algorithm to maintain a stable price.
The algorithm behind TerraUSD attempts to automatically adjust the price by minting or burning the stablecoin or its sister token Luna. This process typically works pretty well. However, its Achilles’ heel is its inability to handle extreme price volatility.
Several days ago, TerraUSD lost its peg to the U.S. dollar. This led to panic selling of the stablecoin, resulting in a downward spiral for both TerraUSD and Luna. The algorithmic software couldn’t maintain stability with the plunging prices.
Will Shiba Inu be next?The Terra meltdown could understandably cause investors to wonder if Shiba Inu might be next. There’s an easy answer, at least for now: No. Shiba Inu isn’t currently linked with any stablecoin available for trading.
However, there is a Shiba Inu stablecoin in development. Lead Shiba Inu developer Shytoshi Kusama recently revealed in an online post on Medium that the stablecoin project “is nearing completion.”
One key difference between the Shiba Inu stablecoin (referred to as SHIB) and TerraUSD is that it will be pegged to US$0.01 rather than US$1. Shiba Inu’s founder believes that this will make stablecoin even more stable.
SHIB will be an algorithmic stablecoin. However, it’s unknown at this point whether or not how the algorithm will attempt to maintain its peg to the US$0.01.
After the Terra debacle, Shiba Inu holders would be unlikely to support a stablecoin that held the potential to bring down SHIB. It also seems reasonable to conclude that the SHIB developers wouldn’t adopt a similar approach used with TerraUSD’s algorithm.
Little Background of Shiba InuShiba Inu was initially launched as a rival to Dogecoin and, much like its predecessor, it has since been labeled a meme-coin – a subgenre of tokens that are generally a much more lighthearted take on the idea of cryptocurrency. At least, in theory.
The developers behind Shiba Inu have made some pretty solid innovations and it seems that the project is likely to continue its evolution into a fully-fledged DeFi platform. The SHIB token is an ERC-20 token, built on top of the Ethereum blockchain. In addition to the token, there is also the Shiba Inu exchange, which is compatible with several other Ethereum-based tokens.
The platform has also launched the BONE and LEASH tokens, to facilitate yield farming and other DeFi applications. The continued expansion of the Shiba Inu brand shows that it is more than just another meme coin and could ultimately help it to outlast Dogecoin and other similar tokens.
More Trending StoriesRearrange The Given String Such That All Prime Multiple Indexes Have Same Character
A string is a sequence of characters, numbers, Alphanumeric characters and special characters. The length of a string is the number of characters that are present in it. A prime number is the number which is divisible by 1 and the number itself.
In this artice, we are given a sample input string of length n. We are going to develop a code where the idea is to substitute the same character at any position p, such that the the characters at positions ranging from 1 to n/p should coincide.
Some of the examples illustrating the problem statement are as follows −
Sample Example
Example 1 – alphaaa
Output – haaalap
Explanation – The prime indexes 2,4,6 and the indexes 3,6 contain the same character ‘a’.
Example 1 – alphaa
Output – -1
Explanation – As soon as we reduce one character ‘a’ from the string, all the required
positions cannot accommodate the same character. Therefore, the output returned is -1.
Algorithm
Step 1 − A map is initialised to keep a count of the characters occurring within the string.
Step 2 − A map contains a tuple of the type to store the character and its respective frequency.
Step 3 − Every time a character is encountered, its frequency is increased by 1.
Step 4 − A vector vec, is also initialized in order to keep map entries in the reversed form, of the nature where the count and the respective character associated with it is pushed into the vector.
Step 5 − The vector is then sorted in order to arrange the characters in the order of their frequencies.
Step 6 − The position array pos is declared with a size equivalent to maximum value possible.
Step 7 − It is initialised with a value 1 using the fill() method available in C++ STL.
Step 8 − An iteration of the string is initiated, using the pointer i, beginning with the integer value 2, and if the pos array for this position contains a value, then all the prime multiples using a pointer j, are evaluated.
Step 9 − For all the valid positions, the counter of the positions to be filled with the same character is incremented.
Step 10 − Otherwise, the pos value of the i*j index is evaluated.
Step 11 − The frequency of the most occurring character is then stored, consider it to be much.
Step 12 − If the number of positions to be occupied by the same character is greater than the max occurring character frequency, then -1 is returned, since this is an impossible operation.
Step 13 − Else, initially all the prime multiple indexes, which are the desirable positions are filled out by the maximum occurring character.
Step 14 − The remaining positions are then filled.
Step 15 − Every time a character from the vector is taken out and filled at the remaining position.
Step 16 − The frequency of this character is decremented.
Step 17 − When all the occurrences of a particular character have been exhausted, then next character is fetched from the vector.
Step 18 − The final output array string is then printed after swapping the characters.
ExampleThe following C++ code snippet takes a sample input string and then places the same character on all the prime multiple indices, if possible.
using namespace std; void primeindx(string str){ char res[100005]; int pos[100005]; int len = str.size(); int cnt = 0; for (auto ch : str){ map[ch]+=1; } sort(vec.begin(), vec.end()); fill(pos + 1, pos + len + 1, 1); for (int i = 2; i <= len / 2; i++) { if (pos[i]) { for (int j = 1; i*j<= len; j++) { int val = i*j; if (pos[val]) cnt++; pos[val] = 0; } } } int mch = vec.back().first; if ( mch < cnt) { cout << -1; return; } for (int i = 2; i <= len; i++) { if (!pos[i]) { res[i] = vec.back().second; } } int k = 0; for (int i = 1; i <= len; i++) { if (pos[i]) { res[i] = vec[k].second; vec[k].first-=1; if (vec[k].first == 0) k++; } } for(int i =1;i<=len;i++){ cout << res[i]; } } int main(){ string str = "codeeee"; primeindx(str); return 0; } Output ceeedeo ConclusionCharacter counting is an important aspect of C++ strings. A large number of decisions can be taken based on the frequency of characters available in the string. Maps are an efficient way of storing a data pair, such as characters and their respective counts in a very user-friendly manner.
Brontosaurus Is Back From The Dead (In Name At Least)
Brontosaurus is back from the dead (in name at least)
Back when you were a kid and you were first learning about dinosaurs – almost no matter what age you are today – you probably learned about a dinosaur named Brontosaurus. As one of the first dinosaurs to be reconstructed with fossil fragments and shown to the public as a quintessential “thunder lizard,” Brontosaurus remained a popular name for a certain kind of long dinosaur for many years after it was formally retired. In 1903, paleontologist Elmer Riggs suggested that traits that separated the Brontosaurus and the Apatosaurus suggested that the former was just a shorter or younger version of the latter. This week that changes.
Yale paleontologist Othniel Charles Marsh named the Brontosaurus excelsus in 1879 in a paper called “Notice of New Jurassic Reptiles.” In the year 1877, Marsh named a very similar genus called Apatosaurus ajax.
Here in 2023, a study by the name of “A specimen-level phylogenetic analysis and taxonomic revision of Diplodocidae (Dinosauria, Sauropoda)” has been authored by researchers Emanuel Tschopp, Octávio Mateus, and Roger B.J. Benson. In it, they’ve suggested that not only the Brontosaurus, but several other genera should be separated from the Apatosaurus pack.
ABOVE: The first published naming of the Brontosaurus by Marsh in his paper “Notice of New Jurassic Reptiles” in 1879. See more papers by Marsh in the Dinosaur Database
The first restoration of the Brontosaurus – as with most/all dinosaur restorations for the first several decades of restoration efforts – was very “clumped together.”
Notice how one bone is RIGHT on top of the next – things would get awful uncomfortable for this creature if its bones were scraping up against one another all the time.
The first full public restoration of a skeleton of the Brontosaurus was done in New York City in 1905.
It would take until the 1970’s, according to the Smithsonian, for most museums to change their placards and publicly recognize Elmer Riggs work in 1903 to dismiss the Brontosaurus name and plant all mentions into the earlier-named Apatosaurus genus.
Instead of calling it Brontosaurus excelsus, these creatures would be called Apatosaurus excelsus.
You’ll also notice that the head on the first reconstruction of the Brontosaurus/Apatosaurus excelsus was sort of blunt. In 1883, it was suggested that this head could actually belong to a completely different dinosaur – Camarasaurus.
In 1915 the correct – far more lengthy – head was proposed, and in 1936 a whole new Camarasaurus head was proposed. It wouldn’t be until 1978 that the current widely-accepted Brontosaurus head (longer, more like Diplodocus) would be confirmed.
This just goes to show you – it can be DECADES between suggestion, scientific testing, and proof in the organization and naming of ancient dinosaur species.
UPDATE: Just to drive the point home that it takes more than a day to have the entire scientific community accept the obviousness of the truth, searching for “brontosaurus” in Google results in a Wikipedia-based feature on the Apatosaurus.
Below you’ll see a scene from Jurassic Park, one which confused thousands if not millions of burgeoning dinosaur fans around the world. “Those are brontosauruses -I mean, uh uh… brachiosauruses,” said the character Tim Murphy, at a time in history (1993) when the name “brontosaurus” should have been out of circulation for around 90 years.
Fast forward to 2023 and the differences between specimens of Apatosaurus excelsus and Apatosaurus ajax are found to be numerous enough to justify two different genera once again. The name Brontosaurus is resurrected!
In the skeleton study published by PeerJ this week, Tschopp and crew suggest their research “resulted in the proposal that some species previously included in well-known genera like Apatosaurus and Diplodocus are generically distinct.”
They go on to mention that “Of particular note is that the famous genus Brontosaurus is considered valid by our quantitative approach.”
The study we’re speaking about here today goes by the name “A specimen-level phylogenetic analysis and taxonomic revision of Diplodocidae (Dinosauria, Sauropoda)”, authored by Emanuel Tschopp, Octávio Mateus, and Roger B.J. Benson. You can find the full article at PeerJ Computer Science with code 3:e857 on April 7th, 2023.
UPDATE: No, this does not mean that we’re bringing back Pluto as a planet. Neil DeGrasse Tyson’s word remains law.
Will The Coronavirus Kill Open
“What will it take to encourage much more widespread reliance on working at home for at least part of each week?” asked Frank Schiff, the chief economist of the US Committee for Economic Development, in The Washington Post in 1979.
Four decades on, we have the answer.
But COVID-19 doesn’t spell the end of the centralized office predicted by futurists since at least the 1970s.
The organizational benefits of the “propinquity effect”—the tendency to develop deeper relationships with those we see most regularly—are well-established.
The open-plan office will have to evolve, though, finding its true purpose as a collaborative work space augmented by remote work.
If we’re smart about it, necessity might turn out to be the mother of reinvention, giving us the best of both centralized and decentralized, collaborative and private working worlds.
Cultural resistanceOrganizational culture, not technology, has long been the key force keeping us in central offices.
“That was the case in 1974 and is still the case today,” observed the “father of telecommuting” Jack Nilles in 2023, three decades after he and his University of Southern California colleagues published their landmark report Telecommunications-Transportation Tradeoff: Options for Tomorrow. “The adoption of telework is still well behind its potential.”
Until now. But it’s taken a pandemic to change the status quo—evidence enough of culture resistance.
In his 1979 article, Schiff outlined three key objections to working from home:
inability to tell how well workers are doing, or if they are working at all
employees’ need for contact with coworkers and others
too many distractions
To the first objection, Schiff responded that experts agreed performance is best judged by output and the organization’s objectives. To the third, he noted: “In many cases, the opposite is likely to be true.”
The COVID-19 experiment so far supports him. Most workers and managers are happy with remote working, believe they are performing just as well, and want to continue with it.
Personal contactBut the second argument—the need for personal contact to foster close teamwork—is harder to dismiss. There’s evidence remote workers crave more feedback.
As researchers Ethan Bernstein and Ben Waber note in their Harvard Business Review article The Truth About Open Offices, published in November 2023, “one of the most robust findings in sociology—proposed long before we had the technology to prove it through data—is that propinquity, or proximity, predicts social interaction”.
Waber’s research at the MIT Media Lab demonstrated the probability that any two workers will interact—either in person or electronically—is directly proportional to the distance between their desks. In his 2013 book People Analytics he includes the following results from a bank and information technology company.
Experiments in collaborationAgency boss Jay Chiat envisioned his headquarters as a futuristic step into “flexible work”—but workers hated the lack of personal spaces.
Less dystopian was the Pixar Animation Studios headquarters opened in 2000. Steve Jobs, majority shareholder and chief executive, oversaw the project. He took a keen interest in things like the placement of bathrooms, accessed through the building’s central atrium. “We wanted to find a way to force people to come together,” he said, “to create a lot of arbitrary collisions of people”.
Yet Bernstein and Waber’s research shows propinquity is also strong in “campus” buildings designed to promote “serendipitous interaction.” For increased interactions, they say, workers should be “ideally on the same floor”.
Being apartSo how to balance the organisational forces pulling us together with the health forces pushing social distancing?
We may have to get used to wearing masks along with plenty of hand sanitizing and disinfecting of high-traffic areas and shared facilities, from keyboards to kitchens. Every door knob and lift button is an issue.
But space is the final frontier.
An alternative vision comes from real-estate services company Cushman & Wakefield. Its “6-foot office” concept includes more space between desks and lots of visual cues to remind coworkers to maintain physical distances.
Of course, to do anything like this in most offices will require a proportion of staff working at home on any given day. It will also mean then end of the individual desk for most.
This part may the hardest to handle. We like our personal spaces.
Offices will also need to need more private spaces for greater use of video conferencing and the like. These sorts of collaborative tools don’t work well if you can’t insulate yourself from distractions.
But there’s a huge potential upside with the new open office. A well-managed rotation of office days and seating arrangements could help us get to know more of those colleagues who, because they used to sit a few too many desks away, we rarely talked to.
Allston Christmas: The Most Wonderful Time Of The Year
Allston Christmas: the Most Wonderful Time of the Year Tonight’s Cinematheque brings web series’ producers to campus
Each year on September 1, departing renters fill the sidewalks of Allston with unwanted couches, tables, kitchenware, and clothes. Right behind them are waves of new tenants just in time to wade through the bounty before the arrival of the garbage trucks. The yearly ritual is known as Allston Christmas.
The annual event is now the backdrop of a comic anthology web series created by Jared Vincenti (COM’10), Kenice Mobley (COM’10), and Melissa Walker (CFA’10), who met while Vincenti and Mobley were students in the College of Communication MFA film and television studies program and Walker was studying in the College of Fine Arts theater arts program. Titled Allston Xmas, the 12-episode series features interconnected stories about young people juggling friendships, relationships, and moving on Boston’s most congested traffic day. When it was released online last September, the Boston Herald found it “equally sweet, sad, and hilarious.”
Tonight, series’ director and writer Vincenti will be on campus to screen and discuss Allston Xmas alongside Mobley, a producer and writer on the series, and Walker, a producer, casting director, and actress. The screening is part of the Cinematheque series, a COM program that brings filmmakers to campus to screen and discuss their work.
With its 40-person team of writers, videographers, and actors, Vincenti’s project began to take shape. The group decided to structure it as an anthology film, similar to Night on Earth, which contains a series of short films and stars Oscar winner Roberto Benigni. It being 2013, the team realized an anthology series could instead be shown as a web series. The idea of producing a dozen episodes was inspired by the 12 Days of Christmas.
Episodes range from “Take Your Shit”—about unwanted subletters finally leaving—to “Too Old for Allston”—an episode exploring the moment you know it’s time to move on and leave Allston behind.
To fund the production, the team started a Kickstarter campaign, with a goal of $6,000, which was exceeded by more than $600. The campaign earned them a lot of press as well and donations from the likes of Linda Pizzuti, the wife of Red Sox owner John Henry (Hon.’05). The financial contributions were “much appreciated,” Vincenti says, as the budget was tight (everyone on the film worked for free). “The Kickstarter money went into what you see on screen and for feeding our cast and crew.”
Writers worked on the storyline for nine months. Filming began, appropriately enough, on September 1, 2013. Shooting on the busiest day in Allston was made easier because many people in the neighborhood had heard about the Kickstarter campaign and were glad to cooperate with the crew.
Vincenti’s favorite find—a once-live Christmas tree that someone had kept in their apartment for nine months until it was “tinder”—made it into one of the episodes. “That’s Allston to me,” he says, “Plan to be homey and set up a Christmas tree, but then let it stand dead for months.”
Filming continued during the fall, with postproduction taking 10 months. The series was released just before the Labor Day move-in this past September with a launch party at Great Scott and write-ups in the Boston Globe, Boston Herald, and Boston Magazine. Mobley says that they created a promotion plan for the series before it was even finished. “As a group, we sat down and discussed what audience we wanted to appeal to, and went after press outlets that appealed to those groups,” she says. “We formed connections before shooting, so we knew who to talk to and we understood their timelines before we released the project.”
It also helped that the web series’ release coincided with this year’s move-in. “Everyone who saw it wanted to share their own horror stories,” Vincenti says. Looking back, he admits there were many “unique challenges” in filming during Allston’s busiest day. His only rule for shooting his next film, he says, is that it “won’t be during moving day.”
Jared Vincenti, Kenice Mobley, and Melissa Walker speak and screen their web series Allston Xmas tonight, Friday, January 30, at 7 p.m., at the College of Communication, Room 101, 640 Commonwealth Ave. The event, part of the BU Cinematheque series, is free and open to the public.
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